without the BBC, the Keith Monks Record Cleaning Machine would never have gone into production. The original 1965 prototype design by Percy Wilson, Technical Editor of The Gramophone magazine, was then condensed down to a "compact" (2 foot / 60cm cube !) unit but it was only after Keith teamed up with radio engineers at Broadcasting House in London in 1967, with Percy as project consultant, that things started to really take shape. The BBC were rolling out their network of FM hi-fi stereo stations and the condition of their record library could no longer be hidden behind the static of AM. Over the following 18 months, everybody worked to produce what became the world's first production machine for cleaning, restoring and preserving records, and this is what in many ways we still produce today. Technique, design, build and performance are all pretty much the same as the broadcast standard original, and all go into every machine we hand build here on the Isle of Wight in England, from the Prodigy upwards.

basically, Zero Recontamination - every record, every time.

I don't believe in degrees of clean - it either is, or it isn't. By that I mean, dry with all fluid removed along with the dislodged particles and dissolved residues including the mould release oils from the manufacturing used to get the record off the hot stamper.

This finally allows the stylus to track the groove faithfully, filling the resulting sound with warmth, depth and clarity - surely the most important benefit of effective record cleaning.

With Keith Monks, Zero Recontamination is high performance cleaning fluid to dissolve and dislodge, used just once then vacuumed away precisely, one turn at a time.

This is something other systems cannot claim - contaminated fluid is left on the cleaning parts and/or reused, and every time you clean a record, the parts and fluids will become more dusty and oily, leaving every subsequent record progressively less clean than the last.

honestly if you're prepared to do a lot of recleaning of tools and emptying and refilling of fluids, you will probably get some results. But that's a lot of work, and I still don't see anything that can get close to washing and precise vacuuming, turn by turn.

We fine tune and improve but in essence, this is why we stick to what we do - not because we're lazy or resting on our laurels, just because we haven't found any idea that works any better.

I follow conversations and reports, online and from dealers. With our broadcast pedigree, proven quality and safety since 1969, and the universally documented chemical compatibility of our fluid ingredients, I am relieved I don't have to worry about our process having any alleged long term effects of some methods on the record's plasticizers, or even on the user, and I still cannot see how blow drying fluid around to make it evaporate does the same job as physically removing every last drop by precise vacuuming. But these we will have to put down to belief, if not simple common sense. Our process is transparent, simple to understand, tried and tested for over half a century. The customer has the choice - ultimately, in using a Monks, relaxing in the proven long term safety of the process on our precious collections, and then hearing the music that results, well I believe our results speak for themselves. And, actually enjoying doing the cleaning too !

in 1968 Keith Monks engineers invented the design to use a reeled out thread to support and cushion the suction nozzle off the record and create an air space.

The new unique Threadless tapered tip compresses the air to increase the velocity for additional fluids removal. This and the wider surface area of the tip effectively doubles the fluid pickup width for even drier records.

Why did we change it ? Because the only part of the Monks that

everybody hated having to deal with was the pesky thread ! Now we've removed the inconvenience and once set, improved the performance and results. The thread also added an air of complexity that put off many less

experienced people considering purchasing earlier machines. It wasn't a cost issue - it would fray and break, or get stuck in the arm tube. Just hard work, when the "sounds of silence" when using a Monks should give you anything but a headache.

(big grin) hahaha yes I read that too - elitist much ?! I prefer to think of it as in the old adage, "simpler is better". The types and grade of the four special polymers used in the Threadless tips are all impervious to contact with vinyl and vice versa. Set correctly and with the specially contoured tip shape, and with the correct type and amount of fluid, this allows direct contact without any contact issues or leaving residue. The discOvery fluid dislodges particles and dissolves oils but also acts as a lubricant, and the wider 360 degree suction not only allows the nozzle even more passes to vacuum up every last drop of contaminated fluid, it also self cleans the tip as it travels.

It's then left to the adjustable air valve to simply regulate the suction and smooth the arm movement.

Perhaps some may say we are pandering to a more mainstream audience - I say yes, and I'm proud of it ! Broadcast/ Archive Standard record restoration and preservation should not be the sole reserve of the privileged few.

Let's face it, any sort of cleaning of anything, most of us see as a chore. I'm determined that with a Monks, record cleaning (during as well as after) will always be a joy.

Threadless has since proven so popular, we're rolling it out across the range. We have models that present themselves at different price points in terms of appearance, features, and long daily use, but the improved effectiveness of Threadless remains complete, across the board.

We're also making the Threadless system available as a retrofit kit - so existing KM users get the improvements we've developed for new customers. People have a lot of choice out there and we want to support those who have already supported us with their business. This way, nobody loses, and everybody can still benefit from having helped us get to where we are now.

that's where the thread reel used to sit. As I said, since 1969 and until recently, all Keith Monks models used a thread to cushion the nozzle off the record - this would be reeled out a little at a time. But it was fiddly and sometimes clogged up the tubes so for the new entry model, we developed a new soft tip instead.

Leaving the empty reel in its traditional spot is our tribute to the history of the world's first Record Cleaning Machines, and to my dad.

your family and neighbors will ! The only one to complain is your bottle of Advil / Anadin.

And as for the results, the muffled clouds will clear, and your music will sing as never before !